Sherry Ruoyu Han Curator / Artist

Acknowledgement of Country

I acknowledge the Wurundjeri Woi Wurrung and Bunurong/Boon Wurrung peoples of the Kulin Nation as the Traditional Owners and Custodians of the lands that I now call home and on which I live, work, create, and learn to tell stories. I acknowledge that I am an uninvited visitor. I pay my respects to their Elders past, present, and to the emerging, and I also extend my respect to Aboriginal and Torres Strait Islander artists and communities.

As an artist and curator, I recognise that creative and curatorial practice is always shaped by place, history, culture and community. I acknowledge the enduring relationships First Nations peoples hold with Country and their continuing contributions to art, storytelling and cultural knowledge. This has long been a place of learning, sharing, and dialogue through language, songlines and pathways. I approach my practice with a commitment to listening, learning and creating space for respectful dialogue.

Sovereignty was never ceded.

致敬土地

我谨向这片土地自古以来的传统主人和守护者 Kulin Nation 的 Wurundjeri Woi Wurrung 人民与 Bunurong/Boon Wurrung 人民致以敬意。如今,我将这里称为家,在此生活、工作、创作,也在此学习如何聆听与讲述故事。

我也清楚地意识到,自己是一个未经邀请而来到这片土地的访客。我向他们过去与当下的长者,以及正在成长、承续文化的年轻一代致敬;同时,也向所有澳大利亚原住民和托雷斯海峡岛民艺术家及社群表达我的尊重。

作为一名艺术创作者与策展人,我始终相信,任何创作与策展实践都无法脱离其所在的土地、历史、文化与社群。First Nations peoples 与 Country,祖地、生命、记忆和精神彼此紧密相连的延续至今的深厚关系,以及他们在艺术、叙事与文化知识上的持续创造与传承,时刻提醒我重新思考自己倾听、理解和讲述故事的方式。

长久以来,这片土地一直是学习、分享与对话之所,知识在语言、歌线与行走路径之间传承、流动和延续。在我的实践中,我将始终保持倾听与学习,并努力为真诚、尊重且负责任的对话留出空间。

这片土地的主权从未被割让。

Curator / Artist / Writer

Sherry Ruoyu Han

Cross-cultural curating

Participatory aesthetics

Feminist / queer approaches

Contemporary Art Materiality / Memory / Spirituality

Selected projects (2024-2026)

Curating / Research / Writing

Narrm/Melbourne & China

01 / About Curatorial Position

Curatorial Profile

Method

Emerging curator and artist working across exhibition-making, research, and institutional practice.

Sherry Ruoyu Han brings art history, curating, and business management into a practice built around clear frameworks, careful collaboration, and audience-facing communication.

Frame Drawing curatorial connections from artwork, theory, and context.

Translate Turn the concept into spatial flow, wall text, and public material.

Deliver Coordinate artists, timeline, install, and audience-facing outcomes.

Recent Experience

Curator for Intermission Gallery projects at Monash University, including group and solo exhibition formats.

Practice Mode

How she builds exhibitions

Establishing curatorial frameworks, translating concepts into spatial layouts, and producing audience-focused exhibition materials.

Curatorial framework Artist liaison Wall text
02 / Works Selected Projects

Selected Projects

He er bu tong (和而不同) - A Third Way of Harmony

Intermission Gallery, Monash University, Melbourne

A research exhibition project bringing together Narrm/Melbourne-based emerging artists through a curatorial framework of difference, coexistence, and reciprocity.

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Drawing upon Taoist philosophy and Homi Bhabha's concept of the Third Space, the exhibition proposes harmony as a dynamic mode of coexistence that sustains difference without assimilation.

Constructing a Universe - Red and Blue

Intermission Gallery, Monash University, Melbourne

A curated solo exhibition focused on the artist's voice in storytelling through artworks and a red-and-blue visual language.

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Red embodies the intensity of chaos, noise, and the consuming energy of daily life, while blue signals introspection, memory, and the fragile self.

From Social Infrastructures to Spiritual Cosmologies

On-site Research Project

This research examines how contemporary Indonesian artists mobilise materiality, collectivity, and spirituality to construct alternative forms of relationality.

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The study considers how artistic practice can become an active agent in shaping social relations, economic structures, and collective knowledge systems within both local and global contexts.

(re)collection

Institutional Project, Monash University, Melbourne

A group exhibition focused on memory as a common creative thread among emerging artists of the same generation.

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The project explores materiality as a sensory trigger for an emotional journey and invites audiences to engage with artworks through personally meaningful life moments.

03 / CV Education & Focus

Education & Practice

Education

Bachelor of Art History and Curating

Bachelor of Business (Management)

Monash University, 2021-2026

Experience

Curator, Intermission Gallery, Monash University

Curatorial Assistant Intern, Taiyuan Art Museum

Curatorial Assistant Intern, Shanxi Natural History Museum

Focus

Cross-cultural curating

Participatory and collaborative aesthetics

Feminist and queer approaches

04 / Contact Collaborations

Contact

Ruoyu Han

Artistic Profile

以记忆、迁移与观看经验为线索,Ruoyu Han 通过图像、研究与空间叙事建立一种更缓慢、 更感性的进入方式。

Selected Work

Surface of Memory

通过多层影像与半透明材质,呈现记忆在时间中的漂移、遮蔽与重新显现。

The work begins with atmosphere rather than explanation, inviting viewers to feel before they analyse.

About Me

Ruoyu Han is an emerging artist, curator, and researcher. Her practice moves between visual image, writing, and installation to explore how personal memory intersects with public narratives.

她的工作并不试图快速解释,而是通过节奏、材质与气氛,让观众逐渐进入作品内部。

My Style of Practice

她偏向使用低饱和、安静而具有触感的视觉语言,在抽象与可辨认之间保持张力。

Atmospheric, editorial, slow, intimate, and emotionally precise.

Education & Practice

Education

Bachelor of Art History and Curating

Bachelor of Business (Management)

Monash University, 2021-2026

Interests

Memory and migration

Visual culture research

Curatorial writing

Work With Me

Available for exhibitions, curatorial collaborations, editorial commissions, and research projects.